It's a pity that new media has never really thrown up a replacement for those sort of columnists, isn't it? Negroponte in Wired, Douglas Adams in MacUser, and (slightly more obscure!) Dave Langford's work in various Amstrad PCW magazines in the UK.
Slashdot did experiment a little with Jon Katz, most notably his 'Voices from the Hellmouth' series, but he was never really aiming to sound the same note of wry detachment as those magazine greats.
It's a pity - I'd rather read a monthly column of that sort than any amount of pointless bickering on Twitter.
To quote Fran Lebowtiz "A great audience is more important for the creation of great art than great artists are"... We've lost a great, ironic, self aware informed commentariat because a literate, emotionally stable audience for long form content has shrunk. Which means the work isn't there (or at least isn't distributed beyond a few substacks), to perpetuate and expand that audience.
I see the same effect all the time in fiction. Innovative challenging books don't get published (or even picked up by agents), because the publishing industry is run by the kind of people who are frightened and offended by such books. Which means the audience for those books become only those lucky enough to be exposed to older, denser, more innovative fiction - which invariably shrinks.
wormius · · focus · HN ↗
roryirvine · · focus · HN ↗
Slashdot did experiment a little with Jon Katz, most notably his 'Voices from the Hellmouth' series, but he was never really aiming to sound the same note of wry detachment as those magazine greats.
It's a pity - I'd rather read a monthly column of that sort than any amount of pointless bickering on Twitter.
dbspin · · focus · HN ↗
I see the same effect all the time in fiction. Innovative challenging books don't get published (or even picked up by agents), because the publishing industry is run by the kind of people who are frightened and offended by such books. Which means the audience for those books become only those lucky enough to be exposed to older, denser, more innovative fiction - which invariably shrinks.