It’s interesting how diffusion models are getting bitter lessened by LLMs. I suspect anthropic has tens of thousands of RL environments recreating famous paintings with code because it was anthropic employees who first started posting about these capabilities on X.
Opus is also getting decent pixel art. I have ran some experiments with Opus 5.5 to turn 90s pinball displays (black and white pixel art) into double resolution colored remastered pixels.
I prompted it a lot but didn’t draw any pixels. Seems to be bad at hands still. I think a skilled pixel artist could greatly speed up their work with Claude code.
It also makes me sad for artists. They didn’t get paid much anyway. Art should be something human to human like writing text. Although, most large commercial art products (marvel movies) already lack any human to human connection you see in paintings or indie games. The large commercial art products will be 50% AI soon.
Commercial art projects will not be 50% AI soon. Consumers at large hate all AI art even if it's only used in the conceptual stage and will actively avoid projects that use it.
There's a misalignment of distributions here.
>Consumers at large hate all AI art
I disagree. The consumers who hate AI art are very vocal about hating AI art. But most consumers likely do not care. Odds are many don't even really understand what "AI art" is. These are the same consumers who are the target audience of the large commercial projects which stand to gain the most from outsourcing their work to AI.
I doubt corporations like Disney will lean into AI too heavily too quickly. They have a reputation that they surely won't be willing to risk with such a venture. But don't be surprised when smaller studios start popping up which are able to leverage AI to produce work which competes with larger studios. Those smaller studios will love to capture that audience that doesn't care about AI. From there, the rest will ease into it as it becomes more viable.
But, to be clear: there will certainly be a core audience that will reject AI art wholesale. They will be catered to accordingly with human slop accordingly.
moojacob · · focus · HN ↗
Opus is also getting decent pixel art. I have ran some experiments with Opus 5.5 to turn 90s pinball displays (black and white pixel art) into double resolution colored remastered pixels.
<a href="https://files.catbox.moe/tbx2u7.png" rel="nofollow">https://files.catbox.moe/tbx2u7.png
I prompted it a lot but didn’t draw any pixels. Seems to be bad at hands still. I think a skilled pixel artist could greatly speed up their work with Claude code.
It also makes me sad for artists. They didn’t get paid much anyway. Art should be something human to human like writing text. Although, most large commercial art products (marvel movies) already lack any human to human connection you see in paintings or indie games. The large commercial art products will be 50% AI soon.
free_bip · · focus · HN ↗
nater5000 · · focus · HN ↗
>Consumers at large hate all AI art
I disagree. The consumers who hate AI art are very vocal about hating AI art. But most consumers likely do not care. Odds are many don't even really understand what "AI art" is. These are the same consumers who are the target audience of the large commercial projects which stand to gain the most from outsourcing their work to AI.
I doubt corporations like Disney will lean into AI too heavily too quickly. They have a reputation that they surely won't be willing to risk with such a venture. But don't be surprised when smaller studios start popping up which are able to leverage AI to produce work which competes with larger studios. Those smaller studios will love to capture that audience that doesn't care about AI. From there, the rest will ease into it as it becomes more viable.
But, to be clear: there will certainly be a core audience that will reject AI art wholesale. They will be catered to accordingly with human slop accordingly.