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1. Slow_Hand · 1790543847 · focus · HN ↗

   Career musician here. My dirty secret is that Coltrane doesn’t resonate with me at all. Not one iota; despite me being a huge jazz fan.

   For my taste, his harmonic language tips over the threshold where it goes from being viscerally enjoyable to a more heady, academic exercise. It all feels like a blur to me. Maximal in it’s vocabulary, and yet flat in it’s overall effect. It’s often so dense that it ends up feeling “same-y” and grey to me. Like Schoenberg’s serial music.

   Maybe my impression here comes from the fact that by the time I began listening to him in the mid 2000’s an entire school of derivative jazz players had long since developed upon and retroactively made his innovations feel far more common (to no fault of his own). It’s that flavor of jazz where you get the impression that the players are enjoying this way more than the audience. It’s not for me.

   1. seabre · 1790605371 · focus · HN ↗

      His Ballads album is probably one of the best albums ever made by anybody. It got dunked on by critics originally because they thought he was ditching his sheets of sound stuff from Giant Steps for more commercial appeal.

      If you don't own it you should. Preferably the deluxe edition with his Greensleeves takes.

      As far as his sheets of sound stuff, I think Sun Ship is ridiculously underrated and is a bridge between his classic quartet and Pharoah Sanders/free jazz era stuff. Really really good if you've never listened to it.

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