It truly is a one of a kind museum. You'll see some of the most famous art in the world from people like Norman Rockwell and Frida Kahlo on the same walls as a random strip from Doonesbury or The Far Side. You'll walk through a reproduction of the Sistine Chapel shortly before walking through a reproduction of the podrace from Phantom Menace. You'll go to the theater and see a 60+ year old experimental short film made without a camera by pressing moth wings into film and then a few minutes later they'll show an episode of Cowboy Bebop.
It's such a bizarre and idiosyncratic collection that the museum itself inspires as much thought as the art in it.
Nothing makes me more excited about this museum than the turnover in curatorial leadership throughout the project, capped off by Lucas assuming the title himself.
Give me his unrestrained vision. Put it in my veins.
Phantom Menace is a super fun movie. Pure Star Wars. I've used it as an entry to the series for all of my kids (then I skip ahead to the OT to not ruin the twist).
I've generally found that most people who didn't like are people who were already adults when it came out, and had a different vision of what they wanted it to be.
For me personally, the prequels were very much an "emperor has no clothes" moment. There's a lot of "meh" in the prequels--in the writing, in the story, and in the direction. Some of the scenes between Anakin and Padme are just downright painful. But I could also see someone being able to overlook at least some of that, especially if they first saw the films when they were young. So I'm not here to complain about any of that.
I can sum up my biggest problem with the prequels (well, with Lucas really) in one word: midichlorians.
When he decided to explain how the force works, he took something that had been so eloquently portrayed in the OT*, and reduced it to something banal and mechanical. And there was no reason to do that. It's not like Darth Vader needed a blood sample to know that Obi-Wan was on the Death Star. And yet Lucas chose to do it anyway.
That choice showed such a baffling level of cluelessness. Like here's this guy, this supposed visionary, who has carte blanche to do whatever he wants (with what is supposedly his own story, no less) and he just.. doesn't really seem to get it?
It really made me question whether the OT were as a good as they were because of him or in spite of him. Apparently I got something out of the story that he did not.
* I'm referring particularly to Yoda's speech to Luke about the force in ESB. "Luminous beings are we, not this crude matter!". Beautiful writing, still gives me goosebumps. No wonder ESB is often considered the best one.
> Some of the scenes between Anakin and Padme are just downright painful.
The worse part of that is seeing clips from between takes: they actually have chemistry! They were actually directed to be unrealistic and unbelievable.
> It really made me question whether the OT were as a good as they were because of him or in spite of him.
Harrison Ford is why Han Solo says "I know" in response to Leia's "I love you". Contrasts directly with Anakin/Padme. "in spite of him" is at least a big chunk of it.
slg · · focus · HN ↗
It's such a bizarre and idiosyncratic collection that the museum itself inspires as much thought as the art in it.
hamdingers · · focus · HN ↗
Give me his unrestrained vision. Put it in my veins.
ckekcmekcn · · focus · HN ↗
His unrestrained vision is The Phantom Menace. It’s the sand dialogue. It’s JarJar.
Brendinooo · · focus · HN ↗
I've generally found that most people who didn't like are people who were already adults when it came out, and had a different vision of what they wanted it to be.
usefulcat · · focus · HN ↗
I can sum up my biggest problem with the prequels (well, with Lucas really) in one word: midichlorians.
When he decided to explain how the force works, he took something that had been so eloquently portrayed in the OT*, and reduced it to something banal and mechanical. And there was no reason to do that. It's not like Darth Vader needed a blood sample to know that Obi-Wan was on the Death Star. And yet Lucas chose to do it anyway.
That choice showed such a baffling level of cluelessness. Like here's this guy, this supposed visionary, who has carte blanche to do whatever he wants (with what is supposedly his own story, no less) and he just.. doesn't really seem to get it?
It really made me question whether the OT were as a good as they were because of him or in spite of him. Apparently I got something out of the story that he did not.
* I'm referring particularly to Yoda's speech to Luke about the force in ESB. "Luminous beings are we, not this crude matter!". Beautiful writing, still gives me goosebumps. No wonder ESB is often considered the best one.
coryrc · · focus · HN ↗
The worse part of that is seeing clips from between takes: they actually have chemistry! They were actually directed to be unrealistic and unbelievable.
> It really made me question whether the OT were as a good as they were because of him or in spite of him.
Harrison Ford is why Han Solo says "I know" in response to Leia's "I love you". Contrasts directly with Anakin/Padme. "in spite of him" is at least a big chunk of it.