This advice is too coarse. I believe LLMs have made me a better writer of technical reports. I have a keen ear for language, and I can usually tell when a sentence or a paragraph is orbiting around a point rather than landing on it firmly. Some writers insist that unclear prose is dispositive proof of unclear ideas -- a sign the writer has not thought things through. My experience is different: I often have a clear idea in mind that I cannot quite find the right idiom to express. Sometimes I can find it if I keep revising, but staring at a sentence too long can entangle you in a particular linguistic frame that can be hard to escape.
LLMs are helpful because their idiom-list is vast and they are indefatigable and infinitely patient. You can keep iterating on a sentence and it will keep giving you fresh takes. Eventually, whether through careful steering or brute-force iteration, it will come up with something that has the right resonance. Like a word on the tip of your tongue, you recognize it when you hear it.
For me, the end result of this writing-process is often a document where much of the language first came from the agent, but the voice is recognizably mine, and I feel a clear sense of authorship. It is still my work because of the microscopic attention I paid to every word. The marble is the agent's, but the chisel and mallet are in my hands.
> Sometimes I can find it if I keep revising, but staring at a sentence too long can entangle you in a particular linguistic frame that can be hard to escape.
This expresses quite well an experience that I have sometimes had. Your first words can trap you in a box that you know isn't right, but you can't figure out how to escape.
atdt · · focus · HN ↗
LLMs are helpful because their idiom-list is vast and they are indefatigable and infinitely patient. You can keep iterating on a sentence and it will keep giving you fresh takes. Eventually, whether through careful steering or brute-force iteration, it will come up with something that has the right resonance. Like a word on the tip of your tongue, you recognize it when you hear it.
For me, the end result of this writing-process is often a document where much of the language first came from the agent, but the voice is recognizably mine, and I feel a clear sense of authorship. It is still my work because of the microscopic attention I paid to every word. The marble is the agent's, but the chisel and mallet are in my hands.
AnimalMuppet · · focus · HN ↗
This expresses quite well an experience that I have sometimes had. Your first words can trap you in a box that you know isn't right, but you can't figure out how to escape.