Thread · HN Continuity

completely different world, but i've seen this happen in music spaces as well.

the idea of gatekeeping is often seen as elitist or exclusionary (fairly enough in many cases) but i think this can be an exaggerated description of a culture that necessarily requires a standard of... let's say, desire to engage with material on a sufficiently deep level. many things can be for anybody, but they are not for everybody.

in the past i've seen the phenomenon of "opening up" subcultures or previously-niche intellectual/art fields described as democratization but i think that ignores a big part of what causes this, which can more accurately be described as commodification. access to difficult things was formerly measured by one's ability to expend effort in order to get there (ignoring, for now, the structural conditions that set one up for success in that effort). when these things are commodified, these efforts and identities become products to purchase, the right to which is nearly never limited; in fact, it's almost seen as evil to imply that they should not be available to any individual at any time that individual may desire access.

i know we all have to start somewhere, but there has always been some historical filtration that leads people who are not truly engaged with a subject on a deep level to disengage at some point. that's changing at a novel rate and scale across so many subcultures. it seems like a lot of us are just surprised at how many people even want access to what were once our sanctuaries and we're not capable of grappling with what it takes to adapt to these changes.

i don't think this will pass or that things will return to "the way they were" but there will always be pockets that resemble previous subcultural forms. we just have to re-learn how to identify them with a keener eye and how to better avoid or more-appropriately interact with those who have a more superficial interest in them.