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The title cards in Blade Runner are amazing

410 points · 199 comments · ExMachina73

  1. ilamont · · focus · HN ↗
    Well, besides the language and the typeface, the other element of this sequence at the beginning of Blade Runner that makes it so special is the accompanying score by Vangelis, and the sound effects that start with twinkling computer notes and gradually build in volume to explosions and the whoosh of futuristic vehicles. It effectively immerses viewers into this incredible world and story.
    1. ColdStream · · focus · HN ↗
      It was only a few months back that I found out that Vangelis couldn't read or write music notation. He would just improv play and record on a tape, recording additional parts and mixing as needed. If he needed to have other musicians involved, then he would hire someone to listen back and write down the notation.

      Considering he recorded something like 35 albums, he was doing something right.

      1. rdiddly · · focus · HN ↗
        You might be surprised at how many famous professional musicians don't read music notation. Outside of the classical world, session work, and jazz fake-books, it's far from de rigueur.
        1. ilamont · · focus · HN ↗
          This is true. I read an interview with Hans Zimmer who has scored dozens of Hollywood films (including Blade Runner 2049) and when he first arrived in London in the 1980s he couldn’t read music. Not sure about now.

          ETA: he did eventually learn how to read music:

          “I learnt to read music after I bought the Roland MC8 Microcomposer, because it then became essential for me. … I learnt music by ear and have picked up most of my technical knowledge through the sessions and gigs.”

          <a href="https:&#x2F;&#x2F;www.muzines.co.uk&#x2F;articles&#x2F;ronnys-electro-music-cabaret&#x2F;4295" rel="nofollow">https:&#x2F;&#x2F;www.muzines.co.uk&#x2F;articles&#x2F;ronnys-electro-music-caba...

          1. polotics · · focus · HN ↗
            Insightful Hans Zimmer, 1982:

            &quot;You should be able to get something out of a machine that is better than an average musician.&quot;

            I think he was even more `absolutely right` than he even thought

          2. FuturisticLover · · focus · HN ↗
            This is a great interview. This is the first time I have seen a younger Hans Zimmer.
          3. ilamont · · focus · HN ↗
            So, I looked up this piece of equipment that he references.

            The Roland MC-8 MicroComposer by the Roland Corporation was introduced in early 1977 at a list price of US$4,795 (¥1,200,000 JPY) ... it was considered revolutionary at the time, introducing features such as a keypad to enter note information and 16 kilobytes of random access memory which allowed a maximum sequence length of 5200 notes, a huge step forward from the 8-16 step sequencers ... Roland switched to the then brand new Intel 8080A 8-bit microprocessor and increased the RAM from 512 bytes to 16KB, allowing storage of over 5,300 notes, which could be entered via the calculator keyboard (the preferred method) or recorded in real-time (not so easy). Backup was via cassette and could take 45 minutes to an hour for a three- or four-minute piece of music to back up and verify. The memory was volatile, so a loss of power meant complete loss of data.

            <a href="https:&#x2F;&#x2F;en.wikipedia.org&#x2F;wiki&#x2F;Roland_MC-8_Microcomposer" rel="nofollow">https:&#x2F;&#x2F;en.wikipedia.org&#x2F;wiki&#x2F;Roland_MC-8_Microcomposer

            Only 200 were made, but it&#x27;s possible he purchased it second-hand, as he had done for the Moog that was once owned by Tangerine Dream.

          4. nephihaha · · focus · HN ↗
            Hans Zimmer&#x27;s protegé Lorne Balfe is dyslexic and started off as a drummer. Balfe probably can&#x27;t read music well although he&#x27;s done well for himself.
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